Listen to The Hollywood Reporter's Full Cinematographer Roundtable on 'Behind the Screen'

The full conversation from The Hollywood Reporter's 2019 Cinematographer Roundtable is now available as a special episode of THR's Behind the Screen.
Recorded Sept. 29 in downtown Los Angeles, the conversation features Roger Deakins (1917 and The Goldfinch), Natasha Braier (Honey Boy), Cesar Charlone (The Two Popes), Caleb Deschanel (The Lion King), Rodrigo Prieto (The Irishman) and Robert Richardson (Once Upon a Time in...Hollywood).

Ici 

'Once Upon a Time in Hollywood': What Quentin Tarantino Left in the Editing Room

Fred Raskin had a big challenge on his hands. The first cut of Quentin Tarantino's Once Upon a Time in Hollywood was more than four and a half hours long, and he had to cut it down to almost half that length.
Luckily for the film editor, Tarantino joined him in the editing room after principal photography, already knowing what half of the cuts should be.
The rest, Raskin says, "came from watching the movie over and over again [while considering] that if we lose something, do we upset the balance of how much time we are spending with each character and do we need to move things around?"
In the end, Raskin — who also edited Tarantino's The Hateful Eight and Django Unchained — managed to hone down Once Upon a Time to 2 hours and 40 minutes. But the loss of about two hours of footage meant that he really had to kill some darlings.
Some of the scenes left on the cutting room floor centered on Rick Dalton (Leonardo DiCaprio) as he's shooting the Western series Lancer and encounters the precocious child actor Trudi, played by a scene-stealing Julia Butters. "Her two scenes [in the final cut] with Leo are so strong, we realized we didn't need the other stuff," says Raskin.

la suite via The Hollywood Reporter 

Filmmaker of the Year Quentin Tarantino on Finding the Right Story, What Streaming is Missing, and His 10th Film

Quentin Tarantino needs to wake up. It’s early Monday morning at New York’s Langham Hotel, and the Oscar-winning screenwriter and veteran filmmaker is putting together a cup of coffee. He’s also nursing a glass of Coca-Cola. It’s a busy one. Only an hour prior, his ninth film, Once Upon a Time… in Hollywood, nabbed five Golden Globe nominations, including Best Picture, Best Director, and Best Screenplay. This isn’t surprising, though. The dreamy drama has been a critical darling since it swept into theaters this past July, and dazzled the box office. If anything, it’s just the beginning.
His competition is stiff. Tarantino is going headfirst into an awards season that includes legendary veterans like Martin Scorsese, foreign visionaries such as Bong Joon-ho, and fellow colleagues in Noah Baumbach and Sam Mendes. Like Tarantino, they’re all campaigning with intensely introspective works, the type of pictures that say more about the filmmaker than the stories on the celluloid. It’s been that kind of year, and should make for an intriguing season as we trudge through the snow in the lead-up to the Oscars, one full of rousing victories, unlikely upsets, and endless chatter.
Right now, though, Tarantino is enjoying the calm amidst the lingering storm. Sure, he’s exhausted — who isn’t at this hour of the week — but he’s hardly fatigued. If we’re being honest, he sounds satisfied. There’s a resolve in his demeanor that’s less Rick Dalton and more Cliff Booth. “It is what it is,” to borrow from Scorsese’s The Irishman, and the “is” ain’t too fucking bad. As he tells me late into our chat, “In a strange way, it seems like this movie, Hollywood, would be my last. So, I’ve kind of taken the pressure off myself to make that last big voilà kind of statement.” He’s not wrong.

la suite de l'entretien 

Projection de QT: The First Eight en Israël

The Times Of Israël

Once Upon a Time… : pourquoi l’apparition de Steve McQueen résume tout le film de Quentin Tarantino

Il est l’un des visages connus que l’on croise dans Once Upon a Time in Hollywood, la fresque cinéphile signée Quentin Tarantino : Steve McQueen fait en effet une apparition remarquée au détour d’une scène, incarné pour l’occasion par un Damian Lewis bluffant de ressemblance avec l’acteur légendaire des Sept Mercenaires. Cette apparition clin d’oeil n’est toutefois pas un simple plaisir cinéphile, puisqu’elle offre au contraire  au long métrage plusieurs niveaux de lecture supplémentaires.

Suite de l'article et source:Allociné

Chicago Film Critics Association Awards

MILOS STEHLIK BREAKTHROUGH FILMMAKER AWARD
Mati Diop, Atlantics
Alma Har’el, Honey Boy
Joe Talbot, The Last Black Man in San Francisco
Lulu Wang, The Farewell
Olivia Wilde, Booksmart

MOST PROMISING PERFORMER
Julia Butters, Once Upon a Time…in Hollywood
Roman Griffin Davis, Jojo Rabbit
Julia Fox, Uncut Gems
Aisling Franciosi, The Nightingale
Taylor Russell, Waves

BEST CINEMATOGRAPHY
Roger Deakins, 1917
Jarin Blaschke, The Lighthouse
Robert Richardson, Once Upon a Time…in Hollywood
Hong Kyung Pyo, Parasite
Claire Mathon, Portrait of a Lady on Fire

BEST ORIGINAL SCORE
Thomas Newman, 1917
Alexandre Desplat, Little Women
Randy Newman, Marriage Story
Daniel Lopatin, Uncut Gems
Michael Abels, Us

BEST ART DIRECTION
1917
Knives Out
Little Women
Once Upon a Time…in Hollywood
Parasite

BEST COSTUME DESIGN
Dolemite is My Name
Little Women
Once Upon a Time…in Hollywood
Portrait of a Lady on Fire
Rocketman

BEST USE OF VISUAL EFFECTS
1917
Ad Astra
Avengers: Endgame
The Irishman
Midsommar

BEST EDITING
1917
The Irishman
Little Women
Once Upon a Time…in Hollywood
Uncut Gems

BEST ANIMATED FILM
Frozen 2
How to Train Your Dragon: The Hidden World
I Lost My Body
Missing Link
Toy Story 4

BEST DOCUMENTARY
American Factory
Apollo 11
For Sama
Hail Satan?
Honeyland

BEST FOREIGN LANGUAGE FILM
The Farewell
Pain and Glory
Parasite
Portrait of a Lady on Fire
Transit

BEST ORIGINAL SCREENPLAY
The Farewell by Lulu Wang
Knives Out by Rian Johnson
Marriage Story by Noah Baumbach
Once Upon a Time…in Hollywood by Quentin Tarantino
Parasite by Bong Joon Ho and Han Jin Won

BEST ADAPTED SCREENPLAY
A Beautiful Day in the Neighborhood by Micah Fitzerman-Blue & Noah Harpster
Hustlers by Lorene Scafaria
The Irishman by Steven Zaillian
Jojo Rabbit by Taika Waititi
Little Women by Greta Gerwig

BEST SUPPORTING ACTOR
Tom Hanks, A Beautiful Day in the Neighborhood
Shia Labeouf, Honey Boy
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time…in Hollywood

BEST SUPPORTING ACTRESS
Cho Yeo Jeong, Parasite
Laura Dern, Marriage Story
Jennifer Lopez, Hustlers
Florence Pugh, Little Women
Zhao Shuzhen, The Farewell

BEST ACTOR
Antonio Banderas, Pain and Glory
Robert De Niro, The Irishman
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Adam Sandler, Uncut Gems

BEST ACTRESS
Awkwafina, The Farewell
Scarlett Johansson, Marriage Story
Elisabeth Moss, Her Smell
Lupita Nyong’o, Us
Renée Zellweger, Judy

BEST DIRECTOR
Noah Baumbach, Marriage Story
Bong Joon Ho, Parasite
Greta Gerwig, Little Women
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time…in Hollywood

BEST PICTURE
The Irishman
Little Women
Marriage Story
Once Upon a Time…in Hollywood
Parasite

Screen Actors Guild Awards

Kill Bill Vol.3 dans trois ans?

A chaque micro tendu, la question est inévitable. Et maintenant, quels sont tes projets QT? Et ton dixième film? Tarantino a dit vouloir prendre son temps avant le 10ème long métrage et vouloir s'exprimer par d'autres biais: une pièce de théâtre, un roman et une série TV western. Ce qui devrait l'occuper pendant 2-3 ans. Mais après...

“I just had dinner with Uma Thurman last night. We were at a really cool Japanese restaurant. I do have an idea of what I would do with [‘Kill Bill Vol. 3’]. That was the whole thing, conquering the concept. What has happened to The Bride since then? And what do I want to do?”

“I didn’t just want to come up with some cockamamie adventure. [The character] doesn’t deserve that. The Bride has fought long and hard. I have an idea now that could be interesting. I still wouldn’t do it for a little bit. It would be at least three years from now. It is definitely in the cards.”

Golden Globes 2020: les nominations

Cinq nominations aux Golden Globes pour OUATIH: meilleur film (comédie?), meilleur réalisateur, meilleur scénario original, meilleur acteur et meilleur second rôle, qui aura fort à faire face aux deux favoris de Netflix, The Irishman et Marriage Story.

Critics' Choice Awards

NY Film Critics Circle 2019 Awards

Nouveau baromètre pour la saison des prix, ce sont les journalistes et professionnels du cinéma de New-York qui ont rendu leur verdict. Tarantino repart ici avec le prix du meilleur scénario:

Best Picture: “The Irishman”
Best Director: The Safdie Brothers, ‘Uncut Gems’
Best Screenplay: Quentin Tarantino, “Once Upon a Time in Hollywood”
Best Actress: Lupita Nyong’o, “Us”
Best Actor: Antonio Banderas, “Pain and Glory”
Best Supporting Actress: Laura Dern, “Marriage Story” and “Little Women”
Best Supporting Actor: Joe Pesci, “The Irishman”
Best Cinematography: “Portrait of a Lady on Fire,” Claire Mathon
Best Non-Fiction Film: “Honeyland,” Tamara Kotevska and Ljubo Stefanov
Best Foreign Language Film: “Parasite,” Bong Joon Ho
Best Animated Feature: “I Lost My Body,” Jérémy Clapin
Best First Film: “Atlantics,”  Mati Diop
Special Awards: Indie Collect, Randy Newman

OUATIH: Sortie DVD + Blu-Ray

National Board of Review 2019

Following the Gotham Awards naming Noah Baumbach’s “Marriage Story” the best film of the year, the National Board of Review (NBR) has now weighed in with its picks for the best movies and performances of 2019. The NBR is made up of film enthusiasts, industry professionals, academics, and filmmakers. The group is one of the first organizations to announce its end-of-the-year selections, followed closely by the New York Film Critics Circle and the American Film Institute (both announcing tomorrow, December 4).

Last year, the National Board of Review honored “Green Book” with its top prize. That film controversially went on to win the Best Picture Oscar over “Roma” earlier this year. Nearly every NBR winner for Best Film this decade has earned an Oscar nomination for Best Picture, including “The Post,” “Manchester by the Sea,” and “Mad Max: Fury Road.”


Other 2018 NBR winners included Viggo Mortensen for Best Actor (“Green Book”), Lady Gaga for Best Actress (“A Star Is Born”), Sam Elliott for Best Supporting Actor (“A Star Is Born”), and Regina King for Best Supporting Actress (“If Beale Street Could Talk”). All of these actors went on to earn Oscar nominations and King even won the Supporting Actress prize.


The full list of 2019 National Board of Review winners is below.

Best Film: THE IRISHMAN
Best Director: Quentin Tarantino, ONCE UPON A TIME…IN HOLLYWOOD
Best Actor: Adam Sandler, UNCUT GEMS
Best Actress: Renée Zellweger, JUDY
Best Supporting Actor: Brad Pitt, ONCE UPON A TIME…IN HOLLYWOOD
Best Supporting Actress: Kathy Bates, RICHARD JEWELL
Best Original Screenplay: Josh Safdie, Benny Safdie, Ronald Bronstein, UNCUT GEMS
Best Adapted Screenplay: Steven Zaillian, THE IRISHMAN
Breakthrough Performance: Paul Walter Hauser, RICHARD JEWELL
Best Directorial Debut: Melina Matsoukas, QUEEN & SLIM
Best Animated Feature: HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD
Best Foreign Language Film: PARASITE
Best Documentary: MAIDEN
Best Ensemble: KNIVES OUT
Outstanding Achievement in Cinematography: Roger Deakins, 1917
NBR Icon Award: Martin Scorsese, Robert De Niro, Al Pacino
NBR Freedom of Expression Award: FOR SAMA
NBR Freedom of Expression Award: JUST MERCY

Top Films (in alphabetical order)
“1917”
“Dolemite is My Name”
“Ford v Ferrari”
“Jojo Rabbit”
“Knives Out”
“Marriage Story”
“Once Upon a Time…in Hollywood”
“Richard Jewell”
“Uncut Gems”
“Waves”

Top 5 Foreign Language Films (in alphabetical order)
“Atlantics”
“Invisible Life”
“Pain and Glory”
“Portrait of a Lady on Fire”
“Transit”

Top 5 Documentaries (in alphabetical order)
“American Factory”
“Apollo 11”
“The Black Godfather”
“Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese”
“Wrestle”

Top 10 Independent Films (in alphabetical order)
“The Farewell”
“Give Me Liberty”
“A Hidden Life”
“Judy”
“The Last Black Man in San Francisco”
“Midsommar”
The Nightingale”
“The Peanut Butter Falcon”
“The Souvenir”
“Wild Rose”

Source: Indiewire

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