vendredi 3 janvier 2020

Greta Gerwig Brings Quentin Tarantino to Tears With Emotional Tribute at Palm Springs Gala


In presenting Quentin Tarantino with the Director of the Year award at the 31st Annual Palm Springs International Film Festival Film Awards Gala Thursday night, Greta Gerwig spoke about the profound impact the filmmaker has had on her life, from longingly staring at a video store copy of “Pulp Fiction” as a kid to choosing to shoot her “Little Women” on film, rather than digitally, in a nod to Tarantino’s own preference.

“Quentin Tarantino makes movies as if movies could save the world,” she said. “Movies can kill Hitler, free slaves, and give Sharon Tate one more summer … he makes movies like movies themselves matter, like they are both high art — which they are — and that they are populist art — which they are. They’re speaking the most profound truths to the biggest crowds with the bravado that comes with the confidence that collectively everybody will be changed for the better by the experience.”

After listening to Gerwig’s heartfelt six-minute introduction, a welled-up Tarantino said he was on the verge of tears.

“She literally said about me how I can only imagine somebody could ever talk about me in my wildest self-possessed dreams,” he said. “Thank you. I mean my god, thank you so much. I joke that when people are going to talk about me, I say, ‘Speak about me as if I were dead.’ And they never do. And you did!”

Tarantino, who was awarded for “Once Upon a Time in Hollywood,” was one of 12 honored Thursday. The gala, with attendance of some 2,500, raised nearly $2.5 million for the festival, according to its chairman Harold Matzner.
While the ceremony’s purpose is ostensibly to kick off the 12-day festival, the gala is watched closely for another reason: its sterling track record for predicting Oscar nominees.

Source: Indiewire.com

Dimanche: Golden Globes


It's true! Leonardo DiCaprio and Brad Pitt will be presenters at the 77th Golden Globe® Awards this Sunday, January 5, 2020 airing at 8pmET/5pmPT live on NBC

mercredi 1 janvier 2020

Quentin Tarantino Says Christopher Nolan’s ‘Dunkirk’ Is His #2 Film Of The Decade


I’m late to Rewatchables, a podcast on The Ringer podcast. As far as I can tell, it’s a throwback podcast where the hosts and sometimes a guest consider an old, often classic film, rewatch it and discuss that rewatch in a very specific format—how the film holds up, what’s best about it, what’s worst about it, who stands out the most on a new, updated viewing, etc. On one of the most recent episodes of Rewatchable, none other than Quentin Tarantino stopped by to discuss Christopher Nolan’s “Dunkirk.”

Entretien avec Deadline: QT (Vidéo)


Nearly 30 years after he burst onto the movie scene with Reservoir Dogs, Quentin Tarantino remains one of the few breakout directors from the 1990s to still be working at the top end of the studio system. After a brief wobble in the late 2000s with Grindhouse, his recent films have been his most successful yet. Although it has yet to catch up with his Blaxploitation spaghetti Western Django Unchained, his ninth film, Once Upon a Time in Hollywood, gave him the biggest opening weekend of his career when it was released in July.
Set in 1969 and starring Leonardo DiCaprio as TV Western star Rick Dalton, Brad Pitt as his stuntman Cliff Booth, and Margot Robbie as actress Sharon Tate, the film follows two days in the life of all three before fast-forwarding to the fateful weekend of August 8-9, when Tate’s home was invaded by a murderous hippie cult later known as the Manson family.

At Deadline’s recent The Contenders New York awards-season event, Tarantino explained that, although the film dealt with a lot of his favorite themes, it was no more personal than his previous films. “I think all my movies are personal,” he said. “Even the more genre ones — deep inside of it, there’s a personal skeleton. But this one, I’d had this idea in my mind for a while. It was the longest I’d worked on something since Inglorious Basterds. I think sometime around Death Proof is where I came up with the initial starting point of who these characters could possibly be. And then, in between projects, I would work on it and I would push the rock up the hill a little bit until I’d get to a certain spot and then I would stop it and then do the next thing.”
Regarding the character of Dalton, Tarantino spoke of his interest in faded stars. “I’ve always been kind of fascinated by actors that had, y’know, had their day,” he said. “Who either had a hit TV show or a good supporting role in a movie that made them pop. And then for a while it looked like they could transfer that into becoming a leading man and even maybe a movie star. Sometimes it works and sometimes it doesn’t, and then you see where the career ends up settling down. Some of them went back to television in a big way — they were able to get another big series. Some of them, though, couldn’t really land a series of their own, or they did and it didn’t last long, and so they were playing the guest stars. I always thought that would be interesting to explore.”

lundi 23 décembre 2019

Listen to The Hollywood Reporter's Full Cinematographer Roundtable on 'Behind the Screen'


The full conversation from The Hollywood Reporter's 2019 Cinematographer Roundtable is now available as a special episode of THR's Behind the Screen.
Recorded Sept. 29 in downtown Los Angeles, the conversation features Roger Deakins (1917 and The Goldfinch), Natasha Braier (Honey Boy), Cesar Charlone (The Two Popes), Caleb Deschanel (The Lion King), Rodrigo Prieto (The Irishman) and Robert Richardson (Once Upon a Time in...Hollywood).

Ici 

'Once Upon a Time in Hollywood': What Quentin Tarantino Left in the Editing Room


Fred Raskin had a big challenge on his hands. The first cut of Quentin Tarantino's Once Upon a Time in Hollywood was more than four and a half hours long, and he had to cut it down to almost half that length.
Luckily for the film editor, Tarantino joined him in the editing room after principal photography, already knowing what half of the cuts should be.
The rest, Raskin says, "came from watching the movie over and over again [while considering] that if we lose something, do we upset the balance of how much time we are spending with each character and do we need to move things around?"
In the end, Raskin — who also edited Tarantino's The Hateful Eight and Django Unchained — managed to hone down Once Upon a Time to 2 hours and 40 minutes. But the loss of about two hours of footage meant that he really had to kill some darlings.
Some of the scenes left on the cutting room floor centered on Rick Dalton (Leonardo DiCaprio) as he's shooting the Western series Lancer and encounters the precocious child actor Trudi, played by a scene-stealing Julia Butters. "Her two scenes [in the final cut] with Leo are so strong, we realized we didn't need the other stuff," says Raskin.

mardi 17 décembre 2019

Filmmaker of the Year Quentin Tarantino on Finding the Right Story, What Streaming is Missing, and His 10th Film


Quentin Tarantino needs to wake up. It’s early Monday morning at New York’s Langham Hotel, and the Oscar-winning screenwriter and veteran filmmaker is putting together a cup of coffee. He’s also nursing a glass of Coca-Cola. It’s a busy one. Only an hour prior, his ninth film, Once Upon a Time… in Hollywood, nabbed five Golden Globe nominations, including Best Picture, Best Director, and Best Screenplay. This isn’t surprising, though. The dreamy drama has been a critical darling since it swept into theaters this past July, and dazzled the box office. If anything, it’s just the beginning.
His competition is stiff. Tarantino is going headfirst into an awards season that includes legendary veterans like Martin Scorsese, foreign visionaries such as Bong Joon-ho, and fellow colleagues in Noah Baumbach and Sam Mendes. Like Tarantino, they’re all campaigning with intensely introspective works, the type of pictures that say more about the filmmaker than the stories on the celluloid. It’s been that kind of year, and should make for an intriguing season as we trudge through the snow in the lead-up to the Oscars, one full of rousing victories, unlikely upsets, and endless chatter.
Right now, though, Tarantino is enjoying the calm amidst the lingering storm. Sure, he’s exhausted — who isn’t at this hour of the week — but he’s hardly fatigued. If we’re being honest, he sounds satisfied. There’s a resolve in his demeanor that’s less Rick Dalton and more Cliff Booth. “It is what it is,” to borrow from Scorsese’s The Irishman, and the “is” ain’t too fucking bad. As he tells me late into our chat, “In a strange way, it seems like this movie, Hollywood, would be my last. So, I’ve kind of taken the pressure off myself to make that last big voilà kind of statement.” He’s not wrong.

dimanche 15 décembre 2019

Once Upon a Time… : pourquoi l’apparition de Steve McQueen résume tout le film de Quentin Tarantino


Il est l’un des visages connus que l’on croise dans Once Upon a Time in Hollywood, la fresque cinéphile signée Quentin Tarantino : Steve McQueen fait en effet une apparition remarquée au détour d’une scène, incarné pour l’occasion par un Damian Lewis bluffant de ressemblance avec l’acteur légendaire des Sept Mercenaires. Cette apparition clin d’oeil n’est toutefois pas un simple plaisir cinéphile, puisqu’elle offre au contraire  au long métrage plusieurs niveaux de lecture supplémentaires.

vendredi 13 décembre 2019

Chicago Film Critics Association Awards


MILOS STEHLIK BREAKTHROUGH FILMMAKER AWARD
Mati Diop, Atlantics
Alma Har’el, Honey Boy
Joe Talbot, The Last Black Man in San Francisco
Lulu Wang, The Farewell
Olivia Wilde, Booksmart

MOST PROMISING PERFORMER
Julia Butters, Once Upon a Time…in Hollywood
Roman Griffin Davis, Jojo Rabbit
Julia Fox, Uncut Gems
Aisling Franciosi, The Nightingale
Taylor Russell, Waves

BEST CINEMATOGRAPHY
Roger Deakins, 1917
Jarin Blaschke, The Lighthouse
Robert Richardson, Once Upon a Time…in Hollywood
Hong Kyung Pyo, Parasite
Claire Mathon, Portrait of a Lady on Fire

BEST ORIGINAL SCORE
Thomas Newman, 1917
Alexandre Desplat, Little Women
Randy Newman, Marriage Story
Daniel Lopatin, Uncut Gems
Michael Abels, Us

BEST ART DIRECTION
1917
Knives Out
Little Women
Once Upon a Time…in Hollywood
Parasite

BEST COSTUME DESIGN
Dolemite is My Name
Little Women
Once Upon a Time…in Hollywood
Portrait of a Lady on Fire
Rocketman

BEST USE OF VISUAL EFFECTS
1917
Ad Astra
Avengers: Endgame
The Irishman
Midsommar

BEST EDITING
1917
The Irishman
Little Women
Once Upon a Time…in Hollywood
Uncut Gems

BEST ANIMATED FILM
Frozen 2
How to Train Your Dragon: The Hidden World
I Lost My Body
Missing Link
Toy Story 4

BEST DOCUMENTARY
American Factory
Apollo 11
For Sama
Hail Satan?
Honeyland

BEST FOREIGN LANGUAGE FILM
The Farewell
Pain and Glory
Parasite
Portrait of a Lady on Fire
Transit

BEST ORIGINAL SCREENPLAY
The Farewell by Lulu Wang
Knives Out by Rian Johnson
Marriage Story by Noah Baumbach
Once Upon a Time…in Hollywood by Quentin Tarantino
Parasite by Bong Joon Ho and Han Jin Won

BEST ADAPTED SCREENPLAY
A Beautiful Day in the Neighborhood by Micah Fitzerman-Blue & Noah Harpster
Hustlers by Lorene Scafaria
The Irishman by Steven Zaillian
Jojo Rabbit by Taika Waititi
Little Women by Greta Gerwig

BEST SUPPORTING ACTOR
Tom Hanks, A Beautiful Day in the Neighborhood
Shia Labeouf, Honey Boy
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time…in Hollywood

BEST SUPPORTING ACTRESS
Cho Yeo Jeong, Parasite
Laura Dern, Marriage Story
Jennifer Lopez, Hustlers
Florence Pugh, Little Women
Zhao Shuzhen, The Farewell

BEST ACTOR
Antonio Banderas, Pain and Glory
Robert De Niro, The Irishman
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Adam Sandler, Uncut Gems

BEST ACTRESS
Awkwafina, The Farewell
Scarlett Johansson, Marriage Story
Elisabeth Moss, Her Smell
Lupita Nyong’o, Us
Renée Zellweger, Judy

BEST DIRECTOR
Noah Baumbach, Marriage Story
Bong Joon Ho, Parasite
Greta Gerwig, Little Women
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time…in Hollywood

BEST PICTURE
The Irishman
Little Women
Marriage Story
Once Upon a Time…in Hollywood
Parasite

mercredi 11 décembre 2019

Kill Bill Vol.3 dans trois ans?


A chaque micro tendu, la question est inévitable. Et maintenant, quels sont tes projets QT? Et ton dixième film? Tarantino a dit vouloir prendre son temps avant le 10ème long métrage et vouloir s'exprimer par d'autres biais: une pièce de théâtre, un roman et une série TV western. Ce qui devrait l'occuper pendant 2-3 ans. Mais après...

“I just had dinner with Uma Thurman last night. We were at a really cool Japanese restaurant. I do have an idea of what I would do with [‘Kill Bill Vol. 3’]. That was the whole thing, conquering the concept. What has happened to The Bride since then? And what do I want to do?”

“I didn’t just want to come up with some cockamamie adventure. [The character] doesn’t deserve that. The Bride has fought long and hard. I have an idea now that could be interesting. I still wouldn’t do it for a little bit. It would be at least three years from now. It is definitely in the cards.”

mardi 10 décembre 2019

Golden Globes 2020: les nominations


Cinq nominations aux Golden Globes pour OUATIH: meilleur film (comédie?), meilleur réalisateur, meilleur scénario original, meilleur acteur et meilleur second rôle, qui aura fort à faire face aux deux favoris de Netflix, The Irishman et Marriage Story.

jeudi 5 décembre 2019

NY Film Critics Circle 2019 Awards


Nouveau baromètre pour la saison des prix, ce sont les journalistes et professionnels du cinéma de New-York qui ont rendu leur verdict. Tarantino repart ici avec le prix du meilleur scénario:

Best Picture: “The Irishman”
Best Director: The Safdie Brothers, ‘Uncut Gems’
Best Screenplay: Quentin Tarantino, “Once Upon a Time in Hollywood”
Best Actress: Lupita Nyong’o, “Us”
Best Actor: Antonio Banderas, “Pain and Glory”
Best Supporting Actress: Laura Dern, “Marriage Story” and “Little Women”
Best Supporting Actor: Joe Pesci, “The Irishman”
Best Cinematography: “Portrait of a Lady on Fire,” Claire Mathon
Best Non-Fiction Film: “Honeyland,” Tamara Kotevska and Ljubo Stefanov
Best Foreign Language Film: “Parasite,” Bong Joon Ho
Best Animated Feature: “I Lost My Body,” Jérémy Clapin
Best First Film: “Atlantics,”  Mati Diop
Special Awards: Indie Collect, Randy Newman